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Rolling Stones drummer Charlie Watts dead at 80

celebrity-news” target=”_blank”>Charlie Watts< for more than half a century, has died. He was 80. 

A representative for Watts told Fox News Tuesday that the musician “passed away peacefully in a London hospital earlier today surrounded by his family.”

No cause of death was given yet.

The publicist said: “Charlie was a cherished husband, father and grandfather and also as a member of The Rolling Stones one of the greatest drummers of his generation.”

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Concerns about Watts’ health came up earlier this year when he announced that, despite being the band’s resident drummer since 1963, he would be sitting out their 2021 U.S. “No Filter” tour in order to recover from an undisclosed medical procedure. 

Charlie Watts, of the Rolling Stones, died at age 80 in August of 2021.

Charlie Watts, of the Rolling Stones, died at age 80 in August of 2021.
(AP Photo/Michel Euler, File)

“Charlie has had a procedure which was completely successful, but his doctors this week concluded that he now needs proper rest and recuperation,” Variety reported the spokesperson said at the time. “With rehearsals starting in a couple of weeks it’s very disappointing to say the least, but it’s also fair to say no one saw this coming.”

The quiet, elegantly dressed Watts was often ranked with Keith Moon, Ginger Baker and a handful of others as a premier rock drummer, respected worldwide for his muscular, swinging style as the band rose from its scruffy beginnings to international superstardom. He joined the Stones early in 1963 and remained over the next 60 years, ranked just behind Mick Jagger and Keith Richards as the group’s longest lasting and most essential member.

Watts stayed on, and largely held himself apart, through the drug abuse, creative clashes and ego wars that helped kill founding member Brian Jones, drove bassist Bill Wyman and Jones’ replacement Mick Taylor to quit, and otherwise made being in the Stones the most exhausting of jobs.

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The Stones began, Watts said, “as White blokes from England playing Black American music” but quickly evolved their own distinctive sound. Watts was a jazz drummer in his early years and never lost his affinity for the music he first loved, heading his own jazz band and taking on numerous other side projects.

A classic Stones song like “Brown Sugar” and “Start Me Up” often began with a hard guitar riff from Richards, with Watts following closely behind, and, as bassist Wyman liked to say, “fattening the sound.” Watts’ speed, power and time keeping were never better showcased than during the concert documentary “Shine a Light,” when director Martin Scorsese filmed “movies” target=”_blank”>Jumpin’ Jack Flash<

Author Philip Norman, who has written extensively about the Rolling Stones, said Watts lived “in constant hope of being allowed to catch the next plane home.” On tour, he made a point of drawing each hotel room he stayed in, a way of marking time until he could return to his family. He said little about playing the same songs for more than 40 years as the Stones recycled their classics. But he did branch out far beyond “Satisfaction” and “Jumpin’ Jack Flash” by assembling and performing with jazz bands in the second half of his career.

Charles Robert Watts, son of a lorry driver and a housewife, was born in Neasden, London, on June 2, 1941. From childhood, he was passionate about music – jazz in particular. He fell in love with the drums after hearing Chico Hamilton and taught himself to play by listening to records by Johnny Dodds, Charlie Parker, Duke Ellington and other jazz giants.

He worked for a London advertising firm after he attended Harrow Art College and played drums in his spare time. London was home to a blues and jazz revival in the early 1960s, with Jagger, Richards and Eric Clapton among the future superstars getting their start. Watts’ career took off after he played with Alexis Korner’s Blues Incorporated, for whom Jagger also performed, and was encouraged by Korner to join the Stones.

Watts wasn’t a rock music fan at first and remembered being guided by Richards and Brian Jones as he absorbed blues and rock records, notably the music of bluesman Jimmy Reed. He said the band could trace its roots to a brief period when he had lost his job and shared an apartment with Jagger and Richards because he could live there rent-free.

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“Keith Richards taught me rock and roll,” Watts said. “We’d have nothing to do all day and we’d play these records over and over again. I learned to love Muddy Waters. Keith turned me on to how good Elvis Presley was, and I’d always hated Elvis up ’til then.”

Watts was the final man to join the Stones; the band had searched for months to find a permanent drummer and feared Watts was too accomplished for them. Richards would recall the band wanting him so badly to join that members cut down on expenses so they could afford to pay Watts a proper salary. Watts said he believed at first the band would be lucky to last a year.

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“Every band I’d ever been in had lasted a week,” he said. “I always thought the Stones would last a week, then a fortnight, and then suddenly, it’s 30 years.”

The Associated Press contributed to this report.

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